Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
Record Store Day 2020 exclusive release, pressed on 180g Orange vinyl.
D3-D5 are bonus tracks; never been on LP before, also includes an insert featuring lyrics to the three bonus tracks.
LP 180g
London Calling is the third studio album by English rock band The Clash. It was originally released as a double album in the United Kingdom on 14 December 1979 by CBS Records, and in the United States in January 1980 by Epic Records.
Take Off Your Pants and Jacket is the fourth studio album by American rock band Blink-182, released on June 12, 2001 by MCA Records. The band had spent much of the previous year traveling and supporting their previous album Enema of the State (1999), which launched their mainstream career.
Ultravox! is the eponymous debut studio album by British new wave band Ultravox!. It was recorded at Island Studios in Hammersmith, London in the autumn of 1976[1] and produced by Ultravox! and Steve Lillywhite with studio assistance from Brian Eno. It was released on 25 February 1977 by Island.
Barcarolle In F Sharp Major Op.60
Ballade N°1 In G Minor Op.23
Ballade N°2 In F Major Op.38
Ballade N°3 In A Flat Major Op.47
Ballade N°4 In F Minor Op.52
Fantaisie In F Minor Op.49
Rolling Stone : "Despite its occasional lapses. Peter Gabriel is a tremendous record. At the very least, Gabriel has discarded the florid hedging that’s dominated his work since Genesis. He’s not backing off from anything now, including his excesses. He flinches, it’s true, but he never yields. For once, you get an idea of where the artist stands and what he’s afraid of. In such songs as “Intruder” and “Games without Frontiers,” in which the booming, almost disco-style bass drum slows to an ebbing pulse while the guitars and synthesizers jangle like wracked nerves and the vocals crackle with detached doom, Gabriel’s music resembles his cover portrait: features in disintegration, slowly melting away, all distinctions disappearing and not a damn thing anyone can do about it. Peter Gabriel has seen a hellish future, and there’s no exit."
