Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
LP + CD
Picture Disc
2014 - "Songs of Innocence -- its title taken from William Blake, although many music nerds may first think of David Axelrod -- does indeed incorporate electronic elements in a way no U2 album since Pop has, weaving samples, loops, and other flourishes within music that otherwise adheres to the self-conscious classicism that has been the band's stock in trade since Y2K." AllMusic
Hydra is the second studio album by American rock band Toto, released in 1979. It reached #37 on the Billboard Pop Albums. While most of the album's singles failed to make any impact in the charts, "99", a song inspired by the 1971 science fiction movie THX 1138, reached #26 on the Billboard Hot 100.
Compiled from live performances recorded throughout Europe during February and March 1972.
Re-mastered from the original tapes in November 2011.
Originally released 1972
Pack Up the Plantation: Live! is the first official live album by Tom Petty and the Heartbreakers, released in November 1985. It was primarily recorded at the Wiltern Theatre during their 1985 tour but also includes several tracks from previous tours.
2008 - "If In Utero is a suicide note, MTV Unplugged in New York is a message from beyond the grave, a summation of Kurt Cobain's talents and pain so fascinating, it's hard to listen to repeatedly" AllMusic
Rolling Stone : "Despite its occasional lapses. Peter Gabriel is a tremendous record. At the very least, Gabriel has discarded the florid hedging that’s dominated his work since Genesis. He’s not backing off from anything now, including his excesses. He flinches, it’s true, but he never yields. For once, you get an idea of where the artist stands and what he’s afraid of. In such songs as “Intruder” and “Games without Frontiers,” in which the booming, almost disco-style bass drum slows to an ebbing pulse while the guitars and synthesizers jangle like wracked nerves and the vocals crackle with detached doom, Gabriel’s music resembles his cover portrait: features in disintegration, slowly melting away, all distinctions disappearing and not a damn thing anyone can do about it. Peter Gabriel has seen a hellish future, and there’s no exit."
140 gram
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