Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
1986 ( remaster 2016 ) Remastered By – Simon Heyworth / Lacquer Cut By – Mike Marsh
[ Rolling Stone ] : Routinely dismissed as a band of synth-pop robots, Depeche Mode actually uses its machines to make some of the most human sounds around. Black Celebration is certainly this British quartet’s most melodic effort to date: the clanging disco-concrete fusion of early LPs like Construction Time Again has mellowed into a brand of brooding, romantic music only hinted at on last year’s Some Great Reward. “I haven’t felt so alive in years,” gushes singer Dave Gahan on “But Not Tonight,” this LP’s ghostly closer, although for composer-lyricist Martin Gore, even celebration is pretty bleak.
The Freewheelin' Bob Dylan is the second studio album by American singer-songwriter Bob Dylan, released on May 27, 1963 by Columbia Records. Whereas his self-titled debut album Bob Dylan had contained only two original songs, Freewheelin' represented the beginning of Dylan's writing contemporary words to traditional melodies.
Turbo is the tenth studio album by British heavy metal band Judas Priest, released by Columbia on 14 April 1986. A remastered CD was released in 2001, including two bonus tracks. A 30th anniversary edition, released on 3 February 2017 titled Turbo 30
12", 33 ⅓ RPM, Single, Limited Edition, White 180g
Release: 2003
Format: 1 x Vinyl, LP, Album, Reissue, Remastered, Stereo, 180g, US version
40th Anniversary Remastered Edition
Including Unpublished Collector´s Poster (60CM X 90CM)
Gold, 180g, 50th Anniversary Edition
2016
AllMusic : Jean-Michel Jarre's two-part Electronica series finds the French synthesizer guru in full-on Santana circa Supernatural mode, collaborating with a vast array of guest musicians ranging from veterans to younger artists. The second volume, released seven months after 2015's inaugural The Time Machine, is titled The Heart of Noise in reference to Italian futurist Luigi Russolo's 1913 manifesto The Art of Noises. Jarre has a keen ear for collaborators, ranging from his '80s synth pop peers to 21st century techno artists whose work carries on the legacy of his past innovations. As to be expected from such an extensive laundry list of guests, however, the end result is wildly inconsistent, and taken song by song, it's very much a hit-or-miss affair. A lot of the pairings make total sense on paper, and in many cases they don't necessarily do anything wrong, they just aren't particularly exciting.
