Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
2019
For over a decade Anton Eger has made his mark in Europe as one of the most exciting and energetically virtuosic drummers on the scene. Following his captivating live performances and recordings with the likes of Phronesis and Marius Neset, ‘Æ’, his eponymous debut, is highly anticipated and will undoubtedly propell his profile to new heights. Full of high-energy drumming, complexity and unpredictability with ‘Æ’ Anton has pulled out all the stops, drawing on an eclectic genre-defying mix of electronica, hardcore contemporary beats and retro musical guilty pleasures.
Animal Image is a soundtrack album to a documentary about the infinite relationship between man and animal. Edited to an improvised score by Finnish trumpet Verneri Pohjola and percussionist Mika Kallio.
All music composed and Arranged by Verneri Pobjola and Mika Kallio.
Recorded at Finnvox Studios
A new ECM studio album and a programme of new music from Terje Rypdal is cause for celebration. On Conspiracy the great Norwegian guitarist seems to reconnect with the wild inspiration that fuelled such early masterpieces as Whenever I Seem To Be Far Away, Odyssey and Waves, exploring the sonic potential of the electric guitar with both a rock improviser’s love of raw energy and a composer’s feeling for space and texture.
Revisited, with additional takes, texts and photos, here is the very first ECM session, recorded in Ludwigsburg in November 1969, featuring the great American pianist Mal Waldron, whose resume included work with Coltrane, Mingus, Dolphy and Billie Holiday. In his original liner notes, Mal wrote: “This album represents my meeting with free jazz. Free jazz for me does not mean complete anarchy… You will hear me playing rhythmically instead of soloing on chord changes.” As Jazz Journal noted, “tough, two-handed modal blues” predominates, and the music sounds as fresh now as the day it was recorded. Indeed, the tersely-grooving “Boo” and “Rock My Soul” could be club hits half a century later. The Extended Anniversary Edition of Free At Last is issued as an audiophile vinyl double album.
With this purely analog vinyl record, the brass trio, consisting of Leonard Paul (trombone), Thomas Gansch (trumpet) and Albert Wieder (tuba), presents a splendid masterpiece.
The LP was recorded live and without overdubs in the legendary Casino Baumgarten in Vienna, where, among other things, Pro-Ject Records‘ own “7Ray” production was created. The dreamy-virtuoso musical performances of the artists are wonderfully embedded through the authentic analogue recording and production, so that both audiophiles or occasional listeners can expect an unparallele experience! Internationally on tour with Mnozil Brass for many years, this group of musicians have contributed to the fact that the sound of trumpets, trombones and tubes in a large format constellation is experiencing a real renaissance. The idea of trying it out in a trio resulted from the fact that the three gentlemen were responsible for the encores of each Mnozil brass show and that way a lot of material worth publishing was created. The trio reveals a wonderfully varied musical experience that effortlessly leaves stylistic boundaries behind.
EP 12", 33 ⅓ RPM, Compilation, Limited Edition
LP + CD
Editia Record Store Day 2019
Even for ECM, this is an album of radical gentleness. Oded Tzur is a New York-based, Israel-born tenor saxophonist making his debut on the label. He’s studied with bansuri master Hariprasad Chaurasia and perhaps raga concepts influenced the music here. Tzur is quite an original player/composer, with few obvious influences in the jazz canon. […] Hershkovits and Tzur are clearly simpatico and the pianist is out front on the disc as much as the saxophonist. Klampanis and American drummer Johnathan Blake are charged with listening carefully, lest the spell be broken. It never is.
Jim Motavalli, New York City Jazz Record
