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    Viniluri Greutate: Normal, Gen: Jazz


    Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.


    Viniluri Greutate: Normal, Gen: Jazz (307 rezultate)

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    LP standard

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    1990 - Interpreti: Christy Doran, Fredy Studer, Bobby Burri, Olivier Magnenat

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    2017

    MORTEN SCHANTZ - pian, Fender Rhodes Electric Piano, Sequential Prophet 6, Roland Juno 60, Moog Sub 37, Korg MS-20 mini, Korg Volca Keys, Solina String Ensemble, Waldorf Streichfett, Arturia Beatstep Pro

    MARIUS NESET - saxofon tenor si sopran, Korg MS-10, percutie

    ANTON EGER - tobe, percutie

    Godspeed is the hi-octane, heavyweight new album from Danish keyboardist Morten Schantz. A founding member of the Danish group, JazzKamikaze, Morten Schantz returns with a new band under his own name featuring long-term collaborators Anton Eger on drums and Marius Neset on saxophones. With a wealth of keyboards at his disposal, the music on Godspeed is full of life, vibrant and bold. With a strong sense of friendship, warmth and an overriding sense of joy, Godspeed is impressive and represents some of the most vital new music bursting out of the European scene from some of the most important performers.

    “Schantz’s layers of pianos and synths are an atmospheric sounding board for a tight, interactive trio completed by Marius Neset’s virtuosic sax and the pounding thump of Anton Eger’s drums. Rigorous structures focus mood while leaving ample room for the musicians to stretch out.” THE FINANCIAL TIMES (UK)

    “A word of warning. Before playing Morten Schantz’s Godspeed please fasten your safety-belt. You are about to be catapulted into the power-packed, high-energy risk-taking territory where big beasts like Chick Corea’s Return To Forever, The Mahavishnu Orchestra and Weather report once roamed.” JAZZWISE MAGAZINE (UK)

    “Sometimes the CD sounds like Weather Report on Speed. Schantz and his colleagues …shine with frenetic, closely interlinked grooves… power jazz.” CONCERTO MAGAZINE (AUS)

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    2017

    He uses ‘Gnosis’ to refer to ancient collective knowledge, and this music is about the intersection of cultures—contemporary improvisational language and Cuban sources, especially the sacred Abakuá percussion ensemble. There are over a dozen instrumentalists and vocalists employed, but they are mostly broken up into various small ensembles: the concert premiere was billed as ‘futuristic Afro-Cuban chamber music.’ […] Sections with the full ensemble (often with Allison Loggins-Hull's flute in the lead) such as ‘Tierra’ and ‘Visiones Sonoras’ alternate with more vocal selections, another feature for Morgan's bass with percussion (‘Nuná’), and solo piano. In fact Virelles closes out the set on piano with two unaccompanied tracks (‘De Cuando Era Chiquita’ and ‘De Coral’). Yet the entire program maintains a consistent tone, simultaneously ancient and contemporary: a ritual for the modern world.
    Mark Sullivan, All About Jazz

    In this vivid and exciting project, the Santiago-raised and New York-based pianist-composer David Virelles looks towards one melting pot from the vantage point of another. A far-reaching work with deep cultural roots, Gnosis speaks of transculturation and traditions, and of the complex tapestry of Cuba’s music – the sacred, the secular, and the ritualistic – but the work’s shapes and forms could only have been created by a gifted contemporary player thoroughly versed in the art of the improvisers. Strings, woodwinds and percussion all have their roles to play in Gnosis, viewed by Virelles as “several families functioning within one unit: this dynamic symbolizes multicultural interaction.” Virelles’ responsive piano and the vocals and percussion of Román Díaz, a profound figure in the transmission of Afro-Cuban musical history, are at the centre of the action. Gnosis was recorded at New York’s Avatar Studios in May 2016 and produced by Manfred Eicher.

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    Emergency Ward! is a 1972 album released by Nina Simone. The title of the record is rendered as "Emergency Ward" on the record label itself, but as "Emergency Ward!" on the cover sleeve. The sleeve also bears the text "Nina Simone in Concert".

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