Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
2LP + CD
40th Anniversary
Newly Remastered with Waits/Brennan
Audio Sourced From Original Production Master Tape
Restored Album Packaging
Pressed On 180g Black Vinyl
Record Store Day, Reissue, Sky Blue, 180 Gram, Bonus Tracks
179
Pret lista 229 LEI
LEI
180g audiophile pressing
1973
Bryan Ferry, Andy Mackay, Phil Manzanera, Paul Thompson, Eddie Jobson
Lacquer Cut By – Miles Showell
Mastered By – Bob Ludwig
AllMusic: " Without Brian Eno, Roxy Music immediately became less experimental, yet they remained adventurous, as Stranded illustrates. Under the direction of Bryan Ferry, Roxy moved toward relatively straightforward territory, adding greater layers of piano and heavy guitars. Even without the washes of Eno's synthesizers, Roxy's music remains unsettling on occasion, yet in this new incarnation, they favor more measured material, whether it's the reflective "A Song for Europe" or the shifting textures of "Psalm." Even the rockers, such as the surging "Street Life" and the segmented "Mother of Pearl," are distinguished by subtle songwriting that emphasizes both Ferry's tortured glamour and Roxy's increasingly impressive grasp of sonic detail. "
Born in the U.S.A. is the seventh studio album by American rock singer-songwriter Bruce Springsteen. It was released by Columbia Records on June 4, 1984. The album's music was written by Springsteen and recorded with his E Street Band and producers Chuck Plotkin and Jon Landau at The Power Station and The Hit Factory in New York City.
Aha Shake Heartbreak is the second studio album by American rock band Kings of Leon. It was released in November 2004, in the UK and February 2005, in the United States. It is the only album by Kings of Leon to have a Parental Advisory label because of the strong language in "Taper Jean Girl", "Rememo", "Soft", and "Four Kicks".
Rolling Stone : "Despite its occasional lapses. Peter Gabriel is a tremendous record. At the very least, Gabriel has discarded the florid hedging that’s dominated his work since Genesis. He’s not backing off from anything now, including his excesses. He flinches, it’s true, but he never yields. For once, you get an idea of where the artist stands and what he’s afraid of. In such songs as “Intruder” and “Games without Frontiers,” in which the booming, almost disco-style bass drum slows to an ebbing pulse while the guitars and synthesizers jangle like wracked nerves and the vocals crackle with detached doom, Gabriel’s music resembles his cover portrait: features in disintegration, slowly melting away, all distinctions disappearing and not a damn thing anyone can do about it. Peter Gabriel has seen a hellish future, and there’s no exit."
