Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
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Pret lista 125 LEI
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1995
Lacquer Cut By – Bernard Grundman
Rolling Stone: "Like the Beasties, Beck is among the few white-boy hip-hop wanna-be’s with a clue. He truly understands the tenuous thread that connects funk to punk, hip-hop to art rock, and jazz to country blues, and is able to cram his encyclopedic knowledge of 20th-century musical styles into three- and four-minute nuggets of pure pop. But as “Loser” made clear, Beck’s avant-garde, mix-and-mingle approach is not just an intellectual exercise. When he chants, “I got two turntables and a microphone,” over a funky keyboard line and a midtempo drum track on Odelay’s “Where It’s At,” he does so with such giddy enthusiasm you can practically see him rifling through his electro-funk collection for the perfect Afrika Bambaataa groove. It’s nothing short of the sort of passionate fandom that emanates from Keith Richards’ country- and blues-inspired guitar licks on Exile on Main St. or from Bob Dylan’s Jack Kerouac-by-way-of-Woody Guthrie crooning on Highway 61 Revisited."
Speak & Spell is the debut studio album by English electronic music band Depeche Mode. It was released on 5 October 1981 by Mute Records. It was the band's only album with Vince Clarke, and as a result, is much lighter in tone than their subsequent releases.
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Pret lista 135 LEI
LEI
Testeaza in showroom Herastrau
Les Chants Magnétiques is the fifth studio album by French electronic musician and composer Jean-Michel Jarre, released on Disques Dreyfus on 22 May 1981. The album was one of the first records to use sampling as a musical element and represents a departure from the sound of Jarre's previous efforts.
1986 ( remaster 2016 ) Remastered By – Simon Heyworth / Lacquer Cut By – Mike Marsh
[ Rolling Stone ] : Routinely dismissed as a band of synth-pop robots, Depeche Mode actually uses its machines to make some of the most human sounds around. Black Celebration is certainly this British quartet’s most melodic effort to date: the clanging disco-concrete fusion of early LPs like Construction Time Again has mellowed into a brand of brooding, romantic music only hinted at on last year’s Some Great Reward. “I haven’t felt so alive in years,” gushes singer Dave Gahan on “But Not Tonight,” this LP’s ghostly closer, although for composer-lyricist Martin Gore, even celebration is pretty bleak.
2005
[ BBC ] : A return to form. There, I said it. It's a boring old cliché but in this case, an appropriate one. The troubled electro kings have come storming back with album number 11: a deeply personal work which shows off Dave Gahan's dramatic vocals to perfection, and shines with trademark Mode melancholia and dark sexuality.
2007
“ELECTRONICA 1: The Time Machine” was conceived with Jarre’s wish to encompass the last few decades of electronic music with the participation of outstanding artists of all generations with whom Jarre feels especially connected with by a common DNA. The album features 16 different collaborators, including the so far revealed M83, Tangerine Dream, Gesaffelstein and 3D from Massive Attack.
