Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
Reissue
Green
2017
Vijay Iyer Piano, Fender Rhodes
Stephan Crump Double Bass
Tyshawn Sorey Drums
Steve Lehman Alto Saxophone
Mark Shim Tenor Saxophone
Graham Haynes Cornet, Flugelhorn, Electronics
The 10-track, nearly hour-long album offers one of the bandleader’s strongest and most varied programs—one in which feverish ensemble writing hangs together with groove-oriented tracks and sparer experimental textures. […] The union of players and material inspires a new synthesis: the sound of Iyer consolidating strengths and discovering some new ones as he settles into the vibe created by his most potent band yet. [ Seth Colter Walls, Pitchfork ]
1977
Terje Rypdal - electric guitar, keyboard, synthesizer
Palle Mikkelborg - trumpet, fluegelhorn, RMI, tac piano, ring modulator
Sveinung Hovensjo - basses
Jon Christensen - drums, percussion
Terje Rypdal’s Waves (recorded 1977) announced the beginning of the Norwegian guitarist’s association with Danish trumpeter Palle Mikkelborg, which continues to this day. The album also introduced one of Terje’s most enduringly popular pieces, “Per Ulv.” “Rypdal’s album is a series of sonic excursions ranging from the expressionist to the impressionist…” wrote Record World. “Rypdal’s guitar and Mikkelborg’s trumpet are well-matched, with Manfred Eicher’s typically superb production putting it all in focus.”
Initially published in January 1978, vinyl is reissued in October 2016 as audiophile pressing taken from the original analog tapes.
1980
Miroslav Vitous - bas
John Surman - bas clarinet, saxofon sopran si bariton
Kenny Kirkland - pian
Jon Christensen - tobe, percutie
"After two years of playing live together, this quartet under the Czech bassist's name issued its lone recording date for ECM in 1981. With John Surman on soprano and baritone saxophones as well as bass clarinet, Kenny Kirkland on piano, and drummer Jon Christensen, they deliver an often engaged though sometimes ponderous program.
1978
Pat Metheny - chitara
Lyle Mays - pian, claviaturi
Mark Egan - bas
Dan Gottlieb - tobe
AllAboutJazz:
"This album stands out abit from the others I've reviewed here so far (for a number of reasons). I've been a Metheny fan for half of my life, but had never thought of his work as groove oriented (except for the relatively recent commercially-successful release). But, I was wrong. I recently became more attuned to grooves through a playing experience and it opened my ears to hearing grooves better. When I put this album on recently after a long time since I had listened to it, I was amazed. All of a sudden, I hear the groove. Not that this is incredibly funky stuff—I wouldn't go so far as to call Metheny's work funky- but the pocket is there.
Testeaza in showroom Cotroceni
1981
Pat Metheny - chitara electrica si acustica
Lyle Mays - claviaturi, Synclavier
Steve Rodby - bas
Nana Vasconcelos - percutie, berimbau, voce
Dan Gottlieb - tobe
AllMusic : "If 1980's As Falls Wichita, So Falls Wichita Falls was defined by Pat Metheny's charisma, its less accessible but certainly rewarding successor, Offramp, finds him leaning more toward the abstract. But as cerebral as Metheny gets on such atmospheric pieces as "Are You Going with Me?" and "Au Lait," his playing remains decidedly lyrical and melodic. Clearly influenced by Jim Hall, the thoughtful Metheny makes excellent use of space, choosing his notes wisely and reminding listeners that, while he has heavy-duty chops, he's not one to beat everybody over the head with them. Even when he picks up the tempo for the difficult and angular title song, he shuns empty musical acrobatics.
2016
Carla Bley - pian
Andy Sheppard - saxofoane
Steve Swallow - bas
Andando el Tiempo features new music of wide emotional compass by Carla Bley, and underlines her originality and resourcefulness as a jazz composer. “Saints Alive!” sets up animated conversations between the participants with striking statements from Steve Swallow’s bass guitar and Andy Sheppard’s soprano sax.
1973
Gary Burton - vibrafon
Michael Goodrick - chitara
Steve Swallow - bas
Ted Seibs - tobe
ecmreviews:
"If one were to draw a line between the ensemble aesthetics of Eberhard Weber and Keith Jarrett, then one might plot the compositions of orchestral jazz legend Mike Gibbs somewhere along the way. Born in 1937 in what was then Southern Rhodesia, and a graduate of Boston’s Berklee College of Music, Gibbs has laid down a musical path as diverse as his travels. On Seven Songs for Chamber Orchestra, one gains vision of a mind looking not so much to cross over into uncharted waters as to expand the inclusivity of jazz’s already broad topography. At the heart of this project is Gibbs’s most famous student, the inimitable Gary Burton, who presents a lovingly realized program of his mentor’s own design.
1971 - Keith Jarrett, pian solo
AllMusicGuide:
"Facing You is one of the most important recordings in contemporary jazz for several reasons, aside from being beautifully conceived and executed by pianist Keith Jarrett. It is a hallmark recording of solo piano in any discipline, a signature piece in the early ECM label discography, a distinct departure from mainstream jazz, a breakthrough for Jarrett, and a studio prelude for his most famous solo project to follow, The Koln Concert. "
In Through the Out Door is the eighth and final studio album by the English rock band Led Zeppelin. It was recorded over a three-week period in November and December 1978 at ABBA's Polar Studios in Stockholm, Sweden, and released by Swan Song Records on 15 August 1979. In 1980, the band's drummer John Bonham died, and they disbanded soon after.
Remastered by Jimmy Page
Ballbreaker is the 13th studio album by Australian hard rock band AC/DC. It was the band's twelfth internationally released studio album and the thirteenth to be released in Australia. It was released in 1995 and was re-released in 2005 as part of the AC/DC Remasters series.
New Skin for the Old Ceremony is the fourth studio album by Leonard Cohen. On this album he began to move away from the minimal instrumentation of his earlier work, with the use of violas, mandolins, banjos, guitars, percussion and other instruments producing a more orchestrated (but nevertheless spare) sound. The album has been certified silver in the UK, but never entered the Billboard Top 200.
Take Off Your Pants and Jacket is the fourth studio album by American rock band Blink-182, released on June 12, 2001 by MCA Records. The band had spent much of the previous year traveling and supporting their previous album Enema of the State (1999), which launched their mainstream career.
[ drowned in sound ] Viewed with the generous and neatening benefits of hindsight, while Kraftwerk’s sixth album, Trans-Europe Express, mapped out the blueprint for electro and techno, their seventh, The Man-Machine, secured what Simon Reynolds has called the group’s ‘ancestral centrality’ for synthpop. As such, the only bad thing that could be said about it is that it was indirecly responsible for the release of thousands of tonnes of New Romantic haircut-enabling chlorofluorocarbons into the atmosphere.”
Revenge is the fifth studio album by British new wave duo Eurythmics. It was released on 30 June 1986 by RCA Records. Following on from their previous album, Be Yourself Tonight, Revenge continued further in this direction as the duo embraced a more "rock band" style.
