Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
Blue Note Classic Vinyl Reissue Series,
All-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray at Cohearent Audio directly from the original master tapes and manufactured at Optimal Media GmbH in Germany.
Blue Note 80 Vinyl Reissue Series
Mastered and Lacquer Cut By Kevin Gray at Cohearent Audio
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
Green Transparent [Clear Green]
Limited Edition
Remastered, Stereo
Reissue
Green
LP 180g
LP 180g
2017
Bugge Wesseltoft - pian
Bugge Wesseltoft and producer Siggi Loch have returned to the original concept of “Snowing” in “Everybody Loves Angels”. The title is a metaphor for the kind of weightless ease which the music conveys; and this time it's not just for winter...The success story started in 1997. Bugge Wesseltoft had just released the album “New Conception Of Jazz” on his own newly-founded label Jazzland. That album broke new ground...
2018
Wolfgang Muthspiel - chitara
Ambrose Akinmusire - trompeta
Brad Mehldau - pian
Larry Grenadier - contrabas
Eric Harland - tobe
Where The River Goes carries the story forward from Rising Grace, Austrian guitarist Wolfgang Muthspiel’s widely acclaimed 2016 recording, returning his cast of musicians to the same studio in southern France, for more of the intuitive magic and deep listening that characterised the earlier album. “The disc’s ambience,” said Downbeat of Rising Grace, “is meditative yet optimistic and joyful. Percolating grooves propel the flow; elemental melodies and classical harmonies provide signposts.”
2018
Andrew Cyrille - tobe
Wadada Leo Smith - trompeta
Bill Frisell - chitara electrica
Andrew Cyrille’s title Lebroba is a contraction of Leland, Brooklyn and Baltimore, birthplaces of the protagonists of an album bringing together three of creative music’s independent thinkers.
A generous leader, Cyrille gives plenty of room to his cohorts, and all three musicians bring in compositions, with “Turiya”, Wadada’s elegant dedication to Alice Coltrane, unfurling slowly over its 17-minute duration. In his own pieces, including the title track and the closing “Pretty Beauty”, Cyrille rarely puts the focus on the drums, preferring to play melodically and interactively, sensitive to pitch and to space. There are references to West African music and the blues as well as the history of jazz drumming, but Cyrille’s priority today is an elliptical style in which meter is implied rather than stated.
1977
Dennis Russell Davies - pian
AllMusic: "Keith Jarrett does not actually play on this LP; rather, it is Dennis Russell Davies, a classical pianist and conductor with whom Jarrett collaborates frequently, who performs this 32-minute Jarrett composition on a grand piano.
1991
Remastered At Abbey Road Studios By Miles Showell
AllMusic: "In a way, this is the '2001' of house records: It's long, daunting, and contains many slow segments that are broken by moments of such genius that lesser men may weep. I think the most brilliant thing about the album, though, is it's structure. It is an adventure, but rather than to the Ultraworld, you'll find yourself drifting through four segments with their own distinct sound, starting with the earthy techno of "earth orbit" and ending in the flat-out trippyness of the titular "ultraworld", a journey that progresses in such a natural manner that it's easy to get lost in the layers of music - Especially with the aid of some good hallucinogens. Just sayin'."
1979
Bryan Ferry, Andy Mackay, Phil Manzanera, Paul Thompson
Lacquer Cut By – Miles Showell
Mastered By – Bob Ludwig
AllMusic: " Returning to action after four years of solo projects, Roxy Music redefined its sound and agenda on Manifesto. More than ever, Roxy sounds like Bryan Ferry's backing band, as the group strips away its art rock influences, edits out the instrumental interludes in favor of concise pop songs, and adds layers of stylish disco rhythms. Although the songwriting is distressingly inconsistent, there are a number of wonderful moments on the record, particularly in the sighing "Angel Eyes" and the heartbroken "Dance Away." Still, trading sonic adventure for lush, accessible disco-pop isn't entirely satisfactory, even if it is momentarily seductive. "
1973
Bryan Ferry, Andy Mackay, Phil Manzanera, Paul Thompson, Eddie Jobson
Lacquer Cut By – Miles Showell
Mastered By – Bob Ludwig
AllMusic: " Without Brian Eno, Roxy Music immediately became less experimental, yet they remained adventurous, as Stranded illustrates. Under the direction of Bryan Ferry, Roxy moved toward relatively straightforward territory, adding greater layers of piano and heavy guitars. Even without the washes of Eno's synthesizers, Roxy's music remains unsettling on occasion, yet in this new incarnation, they favor more measured material, whether it's the reflective "A Song for Europe" or the shifting textures of "Psalm." Even the rockers, such as the surging "Street Life" and the segmented "Mother of Pearl," are distinguished by subtle songwriting that emphasizes both Ferry's tortured glamour and Roxy's increasingly impressive grasp of sonic detail. "
Highway 61 Revisited is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965 by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing track, the 11-minute ballad "Desolation Row".
Mr. Soul is the eleventh studio album by American singer-songwriter Sam Cooke. Produced by Hugo & Luigi, the album was released in February 1963 in the United States by RCA Victor.
PREVIUOSLY UNRELEASED!!!
If you heard the John Coltrane Quartet live in the early-to-mid-1960s, you were at risk of having your entire understanding of performance rewired. This was a ground-shaking band, an almost physical being, bearing a promise that seemed to reach far beyond music.
On June 29TH, Impulse! released “Both Directions at Once: The Lost Album,” a full set of material recorded by the quartet on a single day in March 1963, at New Jersey's Rudy Van Gelder Studio; then stashed away and finally lost when Impulse threw away stored material on a clean-up.
