Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
Together with the Vienna Philharmonics Riccardo Muti created a true masterpiece of Mozart‘s symphonies No. 25, 35 and 39. Both are within the most respected artists of classical music of the modern era and this vinyl record combines outstanding interpretation and unrivalled sound experience that preserves the soft warm ambience of Wiener Musikverein.
1998
James Hetfield - Kirk Hammett - Jason Newsted / Cliff Burton - Lars Ulrich
Wiki: The day after Metallica finished the North American leg of the Poor Re-Touring Me Tour in San Diego's Coors Amphitheatre, they hit the studio to start recording a new album of cover versions. As Lars Ulrich explained, the band wanted to do something different after "three pretty serious albums in a row, starting with the Black album and then Load and ReLoad", and the process would be easier by working with covers, especially as the band had a tradition of taking other people's songs and "turn them into something very Metallica, different from what the original artist did". Given the band had recorded many covers that were spread across various releases, such as B-sides of their singles and the 1987 EP The $5.98 E.P.: Garage Days Re-Revisited, the band would "put them all in a nice little packaging for easy listening" along with the newly recorded cover versions, chosen through a group decision. Only one of the eleven songs in the "New Recordings '98" disk was not done in the three-week sessions, a version of Lynyrd Skynyrd's "Tuesday's Gone" the band recorded for a radio broadcast along with friends such as Les Claypool, John Popper and Gary Rossington.
[AllMusic] Although Kraftwerk's first three albums were groundbreaking in their own right, Autobahn is where the group's hypnotic electronic pulse genuinely came into its own. The main difference between Autobahn and its predecessors is how it develops an insistent, propulsive pulse that makes the repeated rhythms and riffs of the shimmering electronic keyboards and trance-like guitars all the more hypnotizing. The 22-minute title track, in a severely edited form, became an international hit single and remains the peak of the band's achievements -- it encapsulates the band and why they are important within one track -- but the rest of the album provides soundscapes equally as intriguing. Within Autobahn, the roots of electro-funk, ambient, and synth pop are all evident -- it's a pioneering album, even if its electronic trances might not capture the attention of all listeners.
Primul album solo al artistului Zoli Toth, "Better Together" este un proiect experimental ce imbina elemente sonore de vibrafon, sintetizatoare analogice, instrumente de percutie din materiale reciclate, multe dintre care au fost inregistrate in spatii mai putin conventionale.
45 RPM / 2LP marbled
Pink & Purple Marbled
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
2xLP 180g
Houses of the Holy is the fifth studio album by the English rock band Led Zeppelin. It was released on 28 March 1973 by Atlantic Records. The album benefited from several band members installing studios at home, which allowed them to develop more sophisticated songs and arrangements, and expand their musical style.
2018
Shai Maestro - pian
Jorge Roeder - contrabas
Ofri Nehemya - tobe
The first ECM leader date for Shai Maestro (following his label debut with Theo Bleckmann on Elegy) features the gifted pianist fronting his superlative trio with fellow Israeli Ofri Nehemya on drums and Peruvian bassist Jorge Roeder, and also playing alone. A solo interpretation of Matti Caspi’s “My Second Childhood” opens the curtain on a programme of characteristically thoughtful Maestro originals, each one with a story to tell. “Hearing the Shai Maestro Trio is like awakening to a new world”, All About Jazz has suggested.
1980
Pat Metheny - chitara acustica si electrica
Charlie Haden - contrabas
Jack DeJohnette - tobe
Dewey Redman - saxofon tenor
Michael Brecker - saxofon tenor
AllMusicGuide : "Pat Metheny's credibility with the jazz community went way up with the release of this package, a superb two-CD collaboration with a quartet of outstanding jazz musicians that dared to be uncompromising at a time when most artists would have merely continued pursuing their electric commercial successes. [...]
The two original LPs were organized so that the more distinctive Metheny fusions were on sides one and four and the overt jazz tracks occupied sides two and three."
