Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
Picture Disc - limited edition
Drowned In Sound: "Here it is then. The record that most of rock civilization has been crying out for. Something without funny backwards red baseball caps, boiler suits or gimmicks of any kind. With Tool, it's common knowledge that the music will speak for itself and it will be speaking many volumes. 'Lateralus' is absolutely no exception to this rule but is refreshingly different to the back catalogue that has gone before it. If you're expecting 'Aenima mark two forget it. If you are expecting another 'Undertow' let it go 'cause it just isn't happening. 'Lateralus' is a more focused and cunning record than it's predecessors that in many ways puts everything the band have formerly produced into perspective. If 'Undertow' was a starter and 'Aenima gave us more of a taste of what Tool were capable of then with 'Lateralus' it's time to leave the table bloated."
The Final Cut is the twelfth studio album by English rock band Pink Floyd, released on 21 March 1983 in the United Kingdom and on 2 April in the United States through Harvest and Columbia Records. It comprises unused material from the previous Pink Floyd record, The Wall (1979), alongside new material recorded throughout 1982.
Remastered By – Bernie Grundman, James Guthrie, Joel Plante
Lacquer Cut - Bernie Grundman
Pressed By – Record Industry – 17251
LP 180g, gatefold
[LouderSound] For sheer impact, immediacy, concision, endurance, influence and intrinsic Zep-ishness, Led Zeppelin IV is unbeatable. Of all their records, Zep’s fourth album, released in late 1971, remains their most admired work. From Page’s unimpeachable riffs, through Jones musical invention and Plant’s clarity of vocal to that titanic John Bonham drum sound, IV still emits a freshness that belies its age.
1980 ( 2017 Remastered Edition )
[ Rolling Stone ]: Scary Monsters clarifies the David Bowie/Brian Eno Low-“Heroes”-Lodger experiments. They were reeducational projects: deliberate, short-term consolidations of the singer’s skills and audience. While the Devos of this world forged his dramas into dogma, lampooning and literalizing his heritage, Bowie toiled in the training camp of the musical avant-garde, acquiring yet another synthetic vocabulary and releasing miniaturistic exercises that, stripped of their pretensions, turned out to be some of his finest work.
2009
AllMusic : Anyone familiar with the industrial metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FÜR ALLE DA ("Love Is There for Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album, Sehnsucht, with the musicianship and elaborate textures of their later work, LIEBE IST is a grand achievement, skillfully dividing its time between razor sharp metal rockers like "B********," or the opening theme song "Rammlied" and nostalgic cabaret pieces that conjure the spirits of Weil and Brecht at a goth club.
Sputnik: If Rammstein were to never make another album again, this would be a good way to checkout.
LP+CD
Ummagumma is the fourth album by the English rock band Pink Floyd. It is a double album and was released on 7 November 1969 by Harvest Records.
The first disc consists of live recordings from concerts at Mothers Club in Birmingham and the College of Commerce in Manchester that contained part of their normal set list of the time, while the second contains solo compositions by each member of the band recorded at Abbey Road Studios.
The stereo remastered album on heavyweight 180ɢ vinyl
Remastered By – Bernie Grundman, James Guthrie, Joel Plante
Lacquer Cut - Bernie Grundman
Original UK release date: October 1969
