Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
Limited Edition / Coloured Vinyl ( 2023 press )
Acoustic Sounds Series
Kenny Burrell înregistrase pentru Blue Note de mai puțin de un an când a intrat în studioul lui Rudy Van Gelder Hackensack, New Jersey, în februarie 1957, pentru a treia sesiune ca lider al casei de discuri. Întâlnirea a prezentat stilurile semnăturii chitaristului cu o echipă crack de hard boppers, incluzând Horace Silver la pian, Hank Mobley la saxofon tenor, Doug Watkins la bas și Louis Hayes la tobe. Partea 1 găsește trupa întinzându-se pe o interpretare plină de bucurie a melodiei lui Silver „Nica's Dream”, scrisă pentru baroneasa de jazz Pannonica de Koenigswarter , și a piesei dureroase a lui Burrell „Out for Blood”. Partea 2 oferă mai multe vederi ale blues-ului cu o versiune excelentă a cărții „DB Blues” a lui Lester Young , încheiată cu două versiuni diferite ale „KB Blues” a lui Burrell. Lansat anterior doar pe vinil în Japonia, acest set de balansare primește o nouă strălucire ca parte a seriei Tone Poet
Recorded live September 9, 2004
at Muffathalle, Munich
2016
Avishai Cohen - trompeta
Yonathan Avishai - pian
Bill McHenry - saxofon tenor
Eric Revis - contrabas
Nasheet Waits - tobe
“Cohen is a multicultural jazz musician, among whose ancestors is Miles Davis. Like Davis, he can make the trumpet a vehicle for uttering the most poignant human cries.”
– Jazz Times
2018
Shai Maestro - pian
Jorge Roeder - contrabas
Ofri Nehemya - tobe
The first ECM leader date for Shai Maestro (following his label debut with Theo Bleckmann on Elegy) features the gifted pianist fronting his superlative trio with fellow Israeli Ofri Nehemya on drums and Peruvian bassist Jorge Roeder, and also playing alone. A solo interpretation of Matti Caspi’s “My Second Childhood” opens the curtain on a programme of characteristically thoughtful Maestro originals, each one with a story to tell. “Hearing the Shai Maestro Trio is like awakening to a new world”, All About Jazz has suggested.
1977
Terje Rypdal - electric guitar, keyboard, synthesizer
Palle Mikkelborg - trumpet, fluegelhorn, RMI, tac piano, ring modulator
Sveinung Hovensjo - basses
Jon Christensen - drums, percussion
Terje Rypdal’s Waves (recorded 1977) announced the beginning of the Norwegian guitarist’s association with Danish trumpeter Palle Mikkelborg, which continues to this day. The album also introduced one of Terje’s most enduringly popular pieces, “Per Ulv.” “Rypdal’s album is a series of sonic excursions ranging from the expressionist to the impressionist…” wrote Record World. “Rypdal’s guitar and Mikkelborg’s trumpet are well-matched, with Manfred Eicher’s typically superb production putting it all in focus.”
Initially published in January 1978, vinyl is reissued in October 2016 as audiophile pressing taken from the original analog tapes.
2018
Nguyen Le - chitara electrica, electronice
Illya Amar - vibrafon
Chris Jennings - contrabas
John Hadfield - tobe, percutie
The album is a collaboration between Le and the worldly-minded talents of Americandrummer John Hadfield, Canadian bassist Chris Jenningsand French vibraphonist Illya Amar.“Every album of mine is kind of the contrary of the one I did before, with its own story,” says Le. “Streamsis more jazz than previous projects, in my most personaldefinition of the word. I started doing world jazz’ with1996’s Tales from Viet Nam and 1998’s Maghreb &Friends. Integrating jazz and world music has been a longprocess across many subsequent albums...
Revisited, with additional takes, texts and photos, here is the very first ECM session, recorded in Ludwigsburg in November 1969, featuring the great American pianist Mal Waldron, whose resume included work with Coltrane, Mingus, Dolphy and Billie Holiday. In his original liner notes, Mal wrote: “This album represents my meeting with free jazz. Free jazz for me does not mean complete anarchy… You will hear me playing rhythmically instead of soloing on chord changes.” As Jazz Journal noted, “tough, two-handed modal blues” predominates, and the music sounds as fresh now as the day it was recorded. Indeed, the tersely-grooving “Boo” and “Rock My Soul” could be club hits half a century later. The Extended Anniversary Edition of Free At Last is issued as an audiophile vinyl double album.
Blue Note Classic Vinyl Reissue Series,
All-analog 180g vinyl pressings in standard packaging that are mastered by Kevin Gray at Cohearent Audio directly from the original master tapes and manufactured at Optimal Media GmbH in Germany.
The Tone Poet Audiophile Vinyl Reissue Series is our top-of-the-line vinyl series. Produced and curated by the “Tone Poet” Joe Harley, the series presents all-analog, 180g audiophile quality vinyl reissues from the Blue Note Records catalog and our family of labels which also includes Pacific Jazz, United Artists, and Solid State.
