Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
2019
JEFF BALLARD drums, percussion
LIONEL LOUEKE guitar, vocals
KEVIN HAYS piano, keyboards, vocals
REID ANDERSON electronics
PETE RENDE piano, fender rhodes
Honest, inventive and adventurous, Fairgrounds is the embodiment of Jeff Ballard’s ceaseless desire and energy to move people emotionally, physically and intellectually. His second album as a leader, sees the US drummer set on a new trajectory of increased recorded output, focus as a bandleader with a new home at British label, Edition Records.
The first-time teaming of Poland’s dynamic Marcin Wasilewski Trio and big-toned US tenorist Joe Lovano brings forth special music of concentrated, deep feeling, in which lyricism and strength seem ideally balanced. The alliance plays four new tunes by Marcin and one by Joe, as well as Carla Bley’s classic “Vashkar” (in two variations), plus collective improvisations with strong input from all four players
As the title intimates, "Last Spring" is a revisiting of spring. It is not an exulting, whirling awakening, but a sustained, minimalistic meditation, oriented strongly towards the details, the variance of the melodies, the breadth and beauty of the sound. It is based on the most perfect interaction possible: Wesseltoft's soft piano daubs melt like wax into the pizzicato melodies that Kraggerud entices out of his 1744 Guarneri violin, his Harald Lund viola and his unique six-stringed viola Concorda.
AllMusic awarded the album 5 stars calling it "one of those rare albums that makes its mark as an almost instant classic in the jazz pantheon" and noting "April in Paris proved Count Basie's ability to grow through modern jazz changes while keeping the traditional jazz orchestra vital and alive".[5] The Rolling Stone Jazz Record Guide said it was "a commercial high point for this outfit".[6] The Penguin Guide to Jazz awarded the album 3 stars stating "April in Paris is typical Basie fare of the period: bustling charts, leathery solos and pinpoint timing".
