Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
Testeaza in showroom Cotroceni
1972
Chick Corea - pian electric
Joe Farrell - flaut, saxofon sopran
Flora Purim - voce, percutie
Stan Clarke - bas
Airto Moreira - tobe, percutie
Steve Huey ( AllMusicGuide ): "The legendary first lineup of Chick Corea's fusion band Return to Forever debuted on this classic album (titled after the group but credited to Corea), featuring Joe Farrell on soprano sax and flute, the Brazilian team of vocalist Flora Purim and drummer/percussionist Airto Moreira, and electric bass whiz Stanley Clarke.
It wasn't actually released in the U.S. until 1975, which was why the group's second album, Light as a Feather, initially made the Return to Forever name. Nonetheless, Return to Forever is every bit as classic, using a similar blend of spacy electric-piano fusion and Brazilian and Latin rhythms. It's all very warm, light, and airy, like a soft breeze on a tropical beach -- hardly the sort of firebrand approach to fusion that Miles Davis, Tony Williams, and the Mahavishnu Orchestra were exploring, and far less rooted in funk or rock.
10"miniLP
115
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Testeaza in showroom Herastrau
Great concert recording (17.10.2013) by the Austrian Amadeus winner CLARA LUZIA.
1980
Pat Metheny - chitara acustica si electrica
Charlie Haden - contrabas
Jack DeJohnette - tobe
Dewey Redman - saxofon tenor
Michael Brecker - saxofon tenor
AllMusicGuide : "Pat Metheny's credibility with the jazz community went way up with the release of this package, a superb two-CD collaboration with a quartet of outstanding jazz musicians that dared to be uncompromising at a time when most artists would have merely continued pursuing their electric commercial successes. [...]
The two original LPs were organized so that the more distinctive Metheny fusions were on sides one and four and the overt jazz tracks occupied sides two and three."
With this purely analog vinyl record, the brass trio, consisting of Leonard Paul (trombone), Thomas Gansch (trumpet) and Albert Wieder (tuba), presents a splendid masterpiece.
The LP was recorded live and without overdubs in the legendary Casino Baumgarten in Vienna, where, among other things, Pro-Ject Records‘ own “7Ray” production was created. The dreamy-virtuoso musical performances of the artists are wonderfully embedded through the authentic analogue recording and production, so that both audiophiles or occasional listeners can expect an unparallele experience! Internationally on tour with Mnozil Brass for many years, this group of musicians have contributed to the fact that the sound of trumpets, trombones and tubes in a large format constellation is experiencing a real renaissance. The idea of trying it out in a trio resulted from the fact that the three gentlemen were responsible for the encores of each Mnozil brass show and that way a lot of material worth publishing was created. The trio reveals a wonderfully varied musical experience that effortlessly leaves stylistic boundaries behind.
1978
Pat Metheny - chitara
Lyle Mays - pian, claviaturi
Mark Egan - bas
Dan Gottlieb - tobe
AllAboutJazz:
"This album stands out abit from the others I've reviewed here so far (for a number of reasons). I've been a Metheny fan for half of my life, but had never thought of his work as groove oriented (except for the relatively recent commercially-successful release). But, I was wrong. I recently became more attuned to grooves through a playing experience and it opened my ears to hearing grooves better. When I put this album on recently after a long time since I had listened to it, I was amazed. All of a sudden, I hear the groove. Not that this is incredibly funky stuff—I wouldn't go so far as to call Metheny's work funky- but the pocket is there.
99
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