Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
2 x Vinyl, 12", 45 RPM, Stereo
1991
Remastered At Abbey Road Studios By Miles Showell
AllMusic: "In a way, this is the '2001' of house records: It's long, daunting, and contains many slow segments that are broken by moments of such genius that lesser men may weep. I think the most brilliant thing about the album, though, is it's structure. It is an adventure, but rather than to the Ultraworld, you'll find yourself drifting through four segments with their own distinct sound, starting with the earthy techno of "earth orbit" and ending in the flat-out trippyness of the titular "ultraworld", a journey that progresses in such a natural manner that it's easy to get lost in the layers of music - Especially with the aid of some good hallucinogens. Just sayin'."
1983 ( remaster 2016 ) Remastered By – Simon Heyworth / Lacquer Cut By – Mike Marsh
[ Sputnik ] The addition of Alan Wilder seemed to propel the bands creativity into overdrive. The result was an album more rich, dense and sample-heavy than any other DM record that came before.
[AllMusic] Although Kraftwerk's first three albums were groundbreaking in their own right, Autobahn is where the group's hypnotic electronic pulse genuinely came into its own. The main difference between Autobahn and its predecessors is how it develops an insistent, propulsive pulse that makes the repeated rhythms and riffs of the shimmering electronic keyboards and trance-like guitars all the more hypnotizing. The 22-minute title track, in a severely edited form, became an international hit single and remains the peak of the band's achievements -- it encapsulates the band and why they are important within one track -- but the rest of the album provides soundscapes equally as intriguing. Within Autobahn, the roots of electro-funk, ambient, and synth pop are all evident -- it's a pioneering album, even if its electronic trances might not capture the attention of all listeners.
[ drowned in sound ] Viewed with the generous and neatening benefits of hindsight, while Kraftwerk’s sixth album, Trans-Europe Express, mapped out the blueprint for electro and techno, their seventh, The Man-Machine, secured what Simon Reynolds has called the group’s ‘ancestral centrality’ for synthpop. As such, the only bad thing that could be said about it is that it was indirecly responsible for the release of thousands of tonnes of New Romantic haircut-enabling chlorofluorocarbons into the atmosphere.”
2009
[ BBC ] : As if to underline the artlessness of 90 percent of 'modern' pop acts who currently trade in 80s recreations, acts like U2 and the Pet Shop Boys are currently back to doing what they used to do so well. It's as if they're saying: ''hold on, we're not dead yet. stop dancing on graves that haven't even been dug.'' And now, joining 2009's roster of middle aged marvels, here come Depeche Mode. Sounds Of The Universe, the band's first album for four years reveals, here a trio who still sound just as committed and creative as they did 20 years ago. Maybe more so.
10", 45 RPM, Limited Edition
Record Store Day 2015.
