Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
1977
Keith Jarrett - pian, saxofon, percutie
Dewey Redman - saxofon tenor, percutie
Charlie Haden - contrabas
Paul Motian - tobe, percutie
The Survivors’ Suite, recorded in 1976, is the crowning achievement of Keith Jarrett’s “American Quartet” with Dewey Redman, Charlie Haden and Paul Motian, and one of the all-time enduring masterpieces in the ECM catalogue. Melody Maker: “The Survivors’ Suite is a brilliantly organized and full-blooded work which provides the perfect setting for all four talents.
Initially published in January 1977, vinyl is reissued in April 2017 as audiophile pressing taken from the original analog tapes.
2018
Jakob Bro - chitara
Thomas Morgan - contrabas
Joey Baron - tobe
“There is no hurry to this music, but there is great depth,” observed London Jazz News about Danish guitarist Jakob Bro’s trio with two kindred-spirit Americans: bassist Thomas Morgan and drummer Joey Baron. This poetically attuned group follows its ECM studio album of 2016, Streams – which The New York Times lauded as “ravishing” – with what Bro calls “a dream come true,” an album recorded live in New York City, over two nights at the Jazz Standard. Bay of Rainbows rolls on waves of contemplative emotion as the three musicians explore five pieces from the guitarist’s catalog, with the gorgeous “Copenhagen” a favorite reprised from Gefion, Bro’s 2015 ECM release.
The first-time teaming of Poland’s dynamic Marcin Wasilewski Trio and big-toned US tenorist Joe Lovano brings forth special music of concentrated, deep feeling, in which lyricism and strength seem ideally balanced. The alliance plays four new tunes by Marcin and one by Joe, as well as Carla Bley’s classic “Vashkar” (in two variations), plus collective improvisations with strong input from all four players
2019
Joe Lovano - saxofon tenor
Marilyn Crispell - pian
Carmen Castaldi - tobe
The album, produced by Manfred Eicher at New York’s Sear Sound studio, draws upon Lovano’s history and development as a player who has addressed both jazz tradition and exploratory improvisation. “For me this recording is a statement of where I am, where I’ve been and where I may be headed.” In a performer’s note in the CD booklet he says of the recording, “The divine timing of interplay and interaction is magical. Trio Tapestry is a melodic, harmonic, rhythmic musical tapestry throughout, sustaining moods and atmospheres.”
The debut album of Joe Lovano’s Trio Tapestry was one of 2019’s most talked-about releases. The trio’s musical concept – the Boston Globe spoke of “utterances of hushed assurance, lyricism and suspense” - is taken to the next level on its second album, Garden of Expression, a recording distinguished by its intense focus. Lovano, a saxophonist whose reach extends across the history of modern jazz and beyond, plays with exceptional sensitivity in Trio Tapestry. And the music he writes for this group - tenderly melodic or declamatory, harmonically open, rhythmically free, and spiritually involving - encourages subtle and differentiated responses from his creative partners. Joe describes their interaction as “magical”. Carmen Castaldi’s space-conscious approach to drumming further refines an improvisational understanding that he and Lovano have shared since the 1970s. The trio is also a wonderful context for Marilyn Crispell’s solos, counter melodies, and improvisational embellishments, and her feeling for sound-colour helps the chamber music character of the group to flower. The details of the music are beautifully realized in this recording made in the highly responsive acoustics of the Auditorio Stelio Molo RSI in Lugano and produced by Manfred Eicher.
An adaption of the play by Harold Pinter.
Carla Bley and Ron McClure recorded during January 1976 at Grog Kill Studio, Willow, New York. Robert Wyatt and Chris Spedding recorded during February with the Manor Mobile at Delfina's farm. Little Bedwin, Wiltshire, England. Kevin Coyne recorded during April with the Virgin Mobile at the Gong farm, Whitney, Oxfordshire, England. Additional strings recorded during June and mixed during November at Grog Kill Studio.
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
With “daring and visionary spirit”, to quote a Downbeat review from the year of this album’s release, master improvisers John Abercrombie, Dave Holland and Jack DeJohnette forged a unique vision of trio interplay on their first joint effort under the Gateway moniker. The trio tackles Dave Holland and Jack DeJohnette originals with a visionary idea of what three-way conversations in jazz could sound like. As The Observer remarked in an article of the time, “the telepathic ensemble playing and perfect execution make it difficult to believe that this music is almost completely improvised”. The players’ respectively unique instrumental signatures had already fully crystallised here, hinting at the music to come.
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
