Vijay Iyer - pian
Stephan Crump - contrabas
Marcus Gilmore - tobe
"Though Break Stuff is Vijay Iyer's third appearance on ECM in less than year, it is the debut offering from the longstanding trio on the label. The pianist and composer has been working with bassist Stephen Crump and drummer Marcus Gilmore for more than a decade. They've issued two previous recordings together. Iyer usually works conceptually, and Break Stuff is no exception. In the press release he states that "a break in music is still music: a span of time in which to act. [ AllMusic ]
ECM Records Vijay Iyer: Break Stuff
DESCRIERE
2014
Vijay Iyer - pian
Stephan Crump - contrabas
Marcus Gilmore - tobe
AllMusic (Thom Jurek) : "Though Break Stuff is Vijay Iyer's third appearance on ECM in less than year, it is the debut offering from the longstanding trio on the label. The pianist and composer has been working with bassist Stephen Crump and drummer Marcus Gilmore for more than a decade. They've issued two previous recordings together. Iyer usually works conceptually, and Break Stuff is no exception. In the press release he states that "a break in music is still music: a span of time in which to act.
" We hear this all the time in modern music, whether it be the sounds that emerge from composer Morton Feldman's extended silences, breakbeats by funky drummers or hip-hop samples of them, or instrumental breakdowns in heavy metal and bluegrass -- they follow a moment where everything previous seems to stop.
The Iyer Trio illustrate their concept in a 71-minute program that works from a suite of the same title: three works named for birds were adapted from his multi-media collaboration with author Teju Cole on Open City (illustrating in performance the novel of the same name), three standards, and works that deliver directly on the premise, including the stellar "Hood," which was inspired by Detroit techno DJ Robert Hood. The head patterns are all single-note and chord pulses, fractioned by Gilmore's precise skittering beats, breaks, and martial fills, and accented, stretched, and fragmented again by Crump. Despite its staggered parts and shifting dynamics, it is quite organic."
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