Esbjorn Svensson - pian, claviaturi, percutie
Dan Berglund - bas, percutie
Magnus Ostrom - tobe, percutie
“Can’t stand jazz? e.s.t. could be the band to change your mind“ (The Guardian, Jan. 2005)
“…a mastery and empathetic synergy which goes beyond intelligent, sensitive musical response. [...] An infinite river of creativity” (Mojo, Feb. 2005)
ACT Esbjorn Svensson Trio: Viaticum
ATENTIE: Produsul VINIL ACT Esbjorn Svensson Trio: Viaticum nu mai este disponibil la AVstore.ro.
Acest lucru se datorează de cele mai multe ori faptului că producătorul ACT a încetat să mai fabrice acest model sau l-a înlocuit cu unul mai performant.
DESCRIERE
2005
Esbjorn Svensson - pian, claviaturi, percutie
Dan Berglund - bas, percutie
Magnus Ostrom - tobe, percutie
Inregistrat si mixat de catre Janne Hansson la Atlantis Studio intre 30 august si 11 octombrie 2004
Masterizat de catre Claes Persson la CRP Recording
BBC:
"
An over zealous junkmail filter might think Viaticum is some kind of new impotence drug but its real meaning - the blessing given to a dying person sets out a new, darker tone for the Esbjorn Svensson Trio (E.S.T.'s) ninth album.
Along with free pencils in furniture shops, E.S.T. are surely one of Sweden's greatest gifts to the globe. Their Radiohead meets Keith Jarrett soundworld and busy touring schedule - including recent US dates with k.d Lang -have made them what in these times may seem like an oxymoron; a credible crossover act.
But if second albums are traditionally difficult, what does that make a ninth one, especially following on the heels of top-drawer records like Goodbye Susie Soho (2000) and Strange Place For Snow (2002)? Happily, E.S.T. seem to be evolving rather than stagnating. Gone are the more downhome funk tunes, country folk and even the borderline euro-pop of their big hit "Dodge The Dodo". In its place is a more concentrated sound, contemplative and reflective - music for rainy car journeys.
With their former Jarrett-isms less prominent,E.S.T. now sound like no one other than themselves. On the title track the classical harmonies of Svensson's piano mesh with Dan Berglund's versatile bass - now playing roots, now adding drone textures, now finding the tune on harmonics - in a way unlike anyone else. If at points some of the good humour of earlier albums is missing, we gain darkly atmospheric moments such as Magnus Ostrom's inclement drumming like a distant thunderstorm on "In The Tale Of Her Eye". The ecstatic soloing of previous outings remains but this time feels more intense than joyous. Even the Brazilian influenced track "The Well-Wisher" seems to have had the sunlight extracted.
If you're new to e.s.t, perhaps a better place to start would be one of their lighter previous albums. If you're already a fellow traveller though, this more subdued installment comes highly recommended."
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