Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
Testeaza in showroom Cotroceni
The Very Best of Diana Krall collects a nice cross-section of tracks the pianist/vocalist recorded beginning with her 1996 breakthrough album, All for You, and moving through to her 2006 effort From This Moment On. These are largely urbane and stylish recordings that range from her intimate and swinging trio work with guitarist Russell Malone and bassist Christian McBride to her lush orchestral and big-band numbers. While this is primarily a compilation for fans of the sophisticated, jazz standards-oriented Krall, Verve does earn some kudos for including at least one cut from her deeply personal and subsequently not as popular effort The Girl in the Other Room. Also featured are cuts from her stellar 2002 concert album Live in Paris. If you're a fan of straight-ahead jazz with a heavy dash of romance and haven't checked out Krall's work, The Very Best is superb place to start.
Let's Dance is the 15th studio album by David Bowie. It was originally released in April 1983, almost three years after his previous album, Scary Monsters (and Super Creeps). Co-produced by Chic's Nile Rodgers, the album contains three of his most successful singles; the title track, "Let's Dance", which reached No. 1 in the UK, US and various other countries, as well as "Modern Love" and "China Girl", which both reached No. 2 in the UK.
Testeaza in showroom Cotroceni
1990
Jan Garbarek - saxofon tenor si sopran
Rainer Bruninghaus - pian
Eberhard Weber - bas electric
Nana Vasconcelos - percutie
Manu Katche - tobe
Bugge Wesseltoft - sintetizator
Ingor Antte Ailu Gaup - voce
ecmreviews:
"By 1990, Jan Garbarek had for decades been searching for that one key, navigating a landscape of peaks and valleys, only to find it slumbering within the runes which, with this album, he eponymously took up. [...]
Balancing note and movement, Garbarek hones something truly special in the five-part “Molde Canticle,” which draws out the album’s deepest anatomies. Above all, the piece is about time. It speaks in a language that moves us. The gyroscopic quality of Part 2 hums around the centrifugal force of Garbarek’s lyricism as he scales ever higher.
London Calling is the third studio album by English rock band The Clash. It was originally released as a double album in the United Kingdom on 14 December 1979 by CBS Records, and in the United States in January 1980 by Epic Records.
The Final Cut is the twelfth studio album by English rock band Pink Floyd, released on 21 March 1983 in the United Kingdom and on 2 April in the United States through Harvest and Columbia Records. It comprises unused material from the previous Pink Floyd record, The Wall (1979), alongside new material recorded throughout 1982.
Remastered By – Bernie Grundman, James Guthrie, Joel Plante
Lacquer Cut - Bernie Grundman
Pressed By – Record Industry – 17251
[allmusic ] As the follow-up album to Oxygene, Equinoxe offers the same mesmerizing affect, with rapid spinning sequencer washes and bubbling synthesizer portions all lilting back and forth to stardust scatterings of electronic pastiches. Using more than 13 different types of synthesizers, Jarre combines whirling soundscapes of multi-textured effects, passages, and sometimes suites to culminate interesting electronic atmospheres. Never repeating the same sounds twice, it is obvious that the science fiction hype of the late '70s played a large part in the making of this album. Computerized rhythms and keyboard-soaked transitions scurry by, replaced by even quicker, more illustrious ones soon after. There is always a pulsating beat or a fluttering tempo happening somewhere in each of the tracks, which are titled as a numbered sequence one to eight. Each track harbors its own energy and electronic fleetness, but none are identical in sound or pace. So much electronic color is added to every track that it is impossible to concentrate on any particular segment, resulting in waves of synth drowning the ears at high tide.
Live album recorded on 1996-1997 "Tourkill" in the USA.
Tracks D3 and D4 are new studio tracks, recorded in May 1997.
