Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
2017
MORTEN SCHANTZ - pian, Fender Rhodes Electric Piano, Sequential Prophet 6, Roland Juno 60, Moog Sub 37, Korg MS-20 mini, Korg Volca Keys, Solina String Ensemble, Waldorf Streichfett, Arturia Beatstep Pro
MARIUS NESET - saxofon tenor si sopran, Korg MS-10, percutie
ANTON EGER - tobe, percutie
Godspeed is the hi-octane, heavyweight new album from Danish keyboardist Morten Schantz. A founding member of the Danish group, JazzKamikaze, Morten Schantz returns with a new band under his own name featuring long-term collaborators Anton Eger on drums and Marius Neset on saxophones. With a wealth of keyboards at his disposal, the music on Godspeed is full of life, vibrant and bold. With a strong sense of friendship, warmth and an overriding sense of joy, Godspeed is impressive and represents some of the most vital new music bursting out of the European scene from some of the most important performers.
“Schantz’s layers of pianos and synths are an atmospheric sounding board for a tight, interactive trio completed by Marius Neset’s virtuosic sax and the pounding thump of Anton Eger’s drums. Rigorous structures focus mood while leaving ample room for the musicians to stretch out.” THE FINANCIAL TIMES (UK)
“A word of warning. Before playing Morten Schantz’s Godspeed please fasten your safety-belt. You are about to be catapulted into the power-packed, high-energy risk-taking territory where big beasts like Chick Corea’s Return To Forever, The Mahavishnu Orchestra and Weather report once roamed.” JAZZWISE MAGAZINE (UK)
“Sometimes the CD sounds like Weather Report on Speed. Schantz and his colleagues …shine with frenetic, closely interlinked grooves… power jazz.” CONCERTO MAGAZINE (AUS)
1985
Michael Mantler - trompeta
Don Preston - sintetizatoare, drum machine
AllMusic: "Michael Mantler apparently conceived Alien as a kind of concerto for trumpet and orchestra but with ex-Mothers of Invention keyboardist Don Preston substituting for the orchestra on various synthesizers and drum machines. The musical style will be familiar to listeners who know Mantler's other work: a mixture of dark, brooding textures (rarely melodies as such) and the occasional rhythmic surge with one foot strongly planted in the art rock world of bands like Henry Cow.
1979
Bryan Ferry, Andy Mackay, Phil Manzanera, Paul Thompson
Lacquer Cut By – Miles Showell
Mastered By – Bob Ludwig
AllMusic: " Returning to action after four years of solo projects, Roxy Music redefined its sound and agenda on Manifesto. More than ever, Roxy sounds like Bryan Ferry's backing band, as the group strips away its art rock influences, edits out the instrumental interludes in favor of concise pop songs, and adds layers of stylish disco rhythms. Although the songwriting is distressingly inconsistent, there are a number of wonderful moments on the record, particularly in the sighing "Angel Eyes" and the heartbroken "Dance Away." Still, trading sonic adventure for lush, accessible disco-pop isn't entirely satisfactory, even if it is momentarily seductive. "
1973
Bryan Ferry, Andy Mackay, Phil Manzanera, Paul Thompson, Eddie Jobson
Lacquer Cut By – Miles Showell
Mastered By – Bob Ludwig
AllMusic: " Without Brian Eno, Roxy Music immediately became less experimental, yet they remained adventurous, as Stranded illustrates. Under the direction of Bryan Ferry, Roxy moved toward relatively straightforward territory, adding greater layers of piano and heavy guitars. Even without the washes of Eno's synthesizers, Roxy's music remains unsettling on occasion, yet in this new incarnation, they favor more measured material, whether it's the reflective "A Song for Europe" or the shifting textures of "Psalm." Even the rockers, such as the surging "Street Life" and the segmented "Mother of Pearl," are distinguished by subtle songwriting that emphasizes both Ferry's tortured glamour and Roxy's increasingly impressive grasp of sonic detail. "
Day Breaks is the sixth solo studio album by American singer-songwriter Norah Jones, released on October 7, 2016, through Blue Note Records. The album features nine original songs and three covers. Jones returned to a piano-driven sound as heard on releases early in her career.
Take Off Your Pants and Jacket is the fourth studio album by American rock band Blink-182, released on June 12, 2001 by MCA Records. The band had spent much of the previous year traveling and supporting their previous album Enema of the State (1999), which launched their mainstream career.
1975 ( remaster 2009 )
[ Sputnik ] Radio-Activity is somewhat of a forgotten classic when it comes to Kraftwerk fans. Understandably though, the band released another three albums (Autobahn was before this) after it, all of which continually broke the exceptionally high standards and conventions the band had set themselves. In many ways, it is the middle child. Good, but not outstanding, and certainly not bad enough to get any negative attention. It has simply sat on the shelf, being played occasionally for the title track and moderately successful single Radio-Activity, a groundbreaking release, not simply for it's first usage by Kraftwerk of English vocals in any of their songs, but one notable for a ghostly power plant choir, whom New Order took notice of, and liberally sampled in their smash hit Blue Monday.
1998
Keith Jarrett - pian
ecmreviews:
"The Melody At Night, With You was my first Keith Jarrett solo album. And perhaps it was in a way for Jarrett, too. It interprets some of the greatest names in the American songbook—Duke Ellington, the Gershwins, Oscar Hammerstein and Jerome Kern, Oscar Levant, among others—yet tells their stories as if we’ve never heard them before. More than just another standards album in absence of his trio, this is the pianist at his purest. He approaches the music as a composer approaches a blank staff: which is to say, with wonder.
2019
Aki Rissanen - pian
Antti Lotjonen - bas
Teppo Makynen - tobe
Art In Motion is the third album from Finnish pianist Aki Rissanen and his long standing trio with bassist Antti Lötjönen and drummer Teppo Mäkynen. And it’s sublime! An album that binds European Classical influences with an electronic dance music aesthetic and framing it with a distinctive approach to Nordic Jazz. Warm, uplifting and infectious, Art In Motion will rocket Aki Rissanen’s profile to even greater heights.
