Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
Record Store Day, Deluxe Edition, Reissue, Gatefold, White
Format Vinyl, 12", 45 RPM
Data Publicarii: 2024
Style : Alternative Rock
2xLP, 180g, gatefold
2LP standard, translucent silver
1998
James Hetfield - Kirk Hammett - Jason Newsted / Cliff Burton - Lars Ulrich
Wiki: The day after Metallica finished the North American leg of the Poor Re-Touring Me Tour in San Diego's Coors Amphitheatre, they hit the studio to start recording a new album of cover versions. As Lars Ulrich explained, the band wanted to do something different after "three pretty serious albums in a row, starting with the Black album and then Load and ReLoad", and the process would be easier by working with covers, especially as the band had a tradition of taking other people's songs and "turn them into something very Metallica, different from what the original artist did". Given the band had recorded many covers that were spread across various releases, such as B-sides of their singles and the 1987 EP The $5.98 E.P.: Garage Days Re-Revisited, the band would "put them all in a nice little packaging for easy listening" along with the newly recorded cover versions, chosen through a group decision. Only one of the eleven songs in the "New Recordings '98" disk was not done in the three-week sessions, a version of Lynyrd Skynyrd's "Tuesday's Gone" the band recorded for a radio broadcast along with friends such as Les Claypool, John Popper and Gary Rossington.
The Final Cut is the twelfth studio album by English rock band Pink Floyd, released on 21 March 1983 in the United Kingdom and on 2 April in the United States through Harvest and Columbia Records. It comprises unused material from the previous Pink Floyd record, The Wall (1979), alongside new material recorded throughout 1982.
Remastered By – Bernie Grundman, James Guthrie, Joel Plante
Lacquer Cut - Bernie Grundman
Pressed By – Record Industry – 17251
LP 180g, gatefold
Led Zeppelin II is the second album by the English rock band Led Zeppelin, released on 22 October 1969 in the United States and on 31 October 1969 in the United Kingdom by Atlantic Records. Recording sessions for the album took place at several locations in both the United Kingdom and North America from January to August 1969. The album's production was credited to the band's lead guitarist and songwriter Jimmy Page, and it also served as Led Zeppelin's first album to use Eddie Kramer as engineer. It was entirely recorded using the core band members, including Page (guitar), Robert Plant (vocals, harmonica), John Paul Jones (bass, keyboards), and John Bonham (drums).
Remastered by Jimmy Page
The Marshall Mathers LP is the third studio album by American rapper Eminem, released on May 23, 2000 by Aftermath Entertainment and Interscope Records. The album was produced mostly by Dr. Dre and Eminem, along with The 45 King, the Bass Brothers, and Mel-Man. It was recorded over a two-month period in several studios in the Detroit area, and during this time, Eminem felt significant pressure to improve upon the success of his previous record.
2014 -
Dire Straits: Mark Knopfler, John Illsley, Alan Clark, Guy Fletcher, Terry Williams
Remastered By – Bernie Grundman, Bob Ludwig
Lacquer Cut By – Bernie Grundman, Chris Bellman
ClassicRockReview: "Earlier this year (2015), Brothers In Arms re-entered the UK Album Charts, making it a total of 356 weeks it has spent on those charts. It is one of Earth’s best-selling albums, having sold over 30 million copies worldwide. Another successful world tour followed, including 21 straight nights playing in Sydney, Australia in 1986. However, another long break after the tour led to a temporary breakup of the band, and they would not release another studio album until 1991, six years after Brothers In Arms."
2014 - "The maelstrom of hype surrounding self-modeled Hollywood pop star Lana Del Rey's 2012 breakthrough album, Born to Die, found critics, listeners, and pop culture aficionados divided about her detached, hyper-stylized approach to every aspect of her music and public persona." AllMusic
