Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
45 RPM
albumul de debut intitulat ‘INTIM’. Materialul a fost lansat la Seek Music și conține 16 piese. Ca invitați, pe album, apar artiști precum: Liviu Teodorescu, Serotone, Motanu, Max Konstant, Vlad Flueraru sau NANE.
Verve By Request
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
Newly designed packaging with original artwork.
Pat Metheny's debut album on ECM, Bright Size Life, originally released in 1976.
Pat Metheny + Jaco Pastorius + Bob Moses
2LP gatefold
3xLP, 180g, tri-fold
LP 180g
Houses of the Holy is the fifth studio album by the English rock band Led Zeppelin. It was released on 28 March 1973 by Atlantic Records. The album benefited from several band members installing studios at home, which allowed them to develop more sophisticated songs and arrangements, and expand their musical style.
LP gatefold
Deluxe Edition, 180 gram, Tri-fold sleeve
3LP
2018
Shai Maestro - pian
Jorge Roeder - contrabas
Ofri Nehemya - tobe
The first ECM leader date for Shai Maestro (following his label debut with Theo Bleckmann on Elegy) features the gifted pianist fronting his superlative trio with fellow Israeli Ofri Nehemya on drums and Peruvian bassist Jorge Roeder, and also playing alone. A solo interpretation of Matti Caspi’s “My Second Childhood” opens the curtain on a programme of characteristically thoughtful Maestro originals, each one with a story to tell. “Hearing the Shai Maestro Trio is like awakening to a new world”, All About Jazz has suggested.
2018
Barre Phillips - contrabas
End to End is a solo bass album by one of the great pioneers of the idiom. Over the last fifty years Barre Phillips, California-born but long a resident of France, has periodically issued solo recordings, considering them the musical equivalent of diary entries (the first one, in 1968, was called Journal violone), updates on his ever-evolving relationship to his chosen instrument. This one, he says, will be the last of his albums in this format, so it is of special interest to those who have followed the story so far and, indeed, to anyone wishing to hear a masterful improviser at work, refocussing lessons learned in the course of a long, creative life. “It’s the end of a cycle,” says Barre, now 83, of the present recording. “Not a summing up, but the last pages of a journal that began fifty years ago.”
