Daca ai ajuns aici, inseamna ca facem partea din aceeasi gasca a nostalgicilor ce asculta muzica de pe vinil. Poti alege viitorul tau disc preferat fie din categoria de aici de pe site, sau poti alege sa vizitezi "Raftul virtual de viniluri", unde ai posibilitatea sa lasi intuitia sa aleaga pentru tine.
1993
Jan Garbarek - saxofon tenor si sopran
The Hilliard Ensemble:
David James - contratenor
Rogers Covey-Crump - tenor
John Potter - tenor
Gordon Jones - bariton
Recorded in a heavily reverberant Austrian monastery, the voices sometimes develop in overwhelming waves, and Garbarek rides their crest, his soprano sax soaring in the monastery acoustic, or he underscores the voices almost unobtrusively, echoing the voices, finding ample room to move around the modal harmonies yet applying his sound sparingly.
Those with nervous metabolisms may become impatient with this undefinable music, but if you give it a chance, it will seduce you, too. [ AllMusic ]
"Officium is what Coltrane hears in heaven."
Orchestra Jazz Siciliana
Gary Valente - trombon
Steve Swallow - bas
Carla Bley - aranjamente
"Carla Bley's sometimes comical, always compelling compositions provide the material for this respectful repertory album from The Orchestra Jazz Sicilina. The roster features mainly European musicians, and the album emphasizes band interaction and ensemble execution rather than solo skills and individual voices." [ AllMusic ]
2018
Marcin Wasilewski - pian
Slawomir Kurkiewicz - contrabas
Michal Miskiewicz - tobe
For years, fans of Poland's Marcin Wasilewski Trio have been asking for a live album. The group made this one "by accident", unaware that their August 2016 performance at Jazz Middelheim in Antwerp had been recorded by the festival.
The trio is certainly in energetic, extroverted mode, fanning the flames of their 'Spark of Life' repertoire and drawing on the deep understanding Marcin Wasilewski, Slawomir Kurkiewicz and Michal Miskiewicz have established in the course of a quarter century of shared musical endeavour. As Jazz Journal has noted, "Wasilewski's music celebrates a vast dynamic range, from the most deftly struck pianistic delicacies to gloriously intense emotional exuberance, the chords pounded with unrestrained joy, yet always within a marvellously melodic concept."
Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes
2LP
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LP galben
2018
Nik Bartsch - pian
Sha - bas clarinet, saxofon alto
Thomy Jordi - bas
Kaspar Rast - tobe
Bärtsch speaks of a new-found freedom and flexibility in the approach to the material, with “greater transparency, more interaction, more joy in every performance”. The freedom here extends to revisiting earlier Bärtsch modules alongside new compositions including, for the first time on a Ronin record, a piece by reedman Sha. “We’ve spent a long time working on the new repertoire, really checking out and fine tuning all the details.”
Awase, a term from Aikido, means “moving together” in the sense of matching energies, a fitting metaphor for the dynamic precision, tessellated grooves and balletic minimalism of Ronin today. In the old band, Bärtsch often chose to present Björn Meyer’s flamboyant 6-string bass as a lead instrument. Thomy Jordi’s 4-string bass guitar tends to be deployed within the fabric of the pieces, creatively fulfilling a more traditional bass function and locking in with Kaspar Rast’s powerful drums. With Bärtsch also scaling back his own solo playing, listeners are encouraged to hear the whole music and its layered, shifting approach to interaction in new ways.
1989
Keith Jarrett - pian
Gary Peacock - bas
Jack DeJohnette - tobe
AllMusic: "The Keith Jarrett Standards Trio gets back down to business with two CDs' worth of familiar and perhaps not-so-familiar tunes, recorded in one evening in Cologne, Germany. There is a concept this time, for all the standards carry a dedication to some jazz man or woman who performed them -- and they are not predictable choices; Lee Konitz for "Lover Man," "It's Easy to Remember" for John Coltrane, "All of You" for Miles Davis, etc.
Almost every number has a reflective solo piano introduction, with one of the notable exceptions being Jarrett's rolling, convoluted opening variations on "All the Things You Are" (Sonny Rollins). "Solar" (the Bill Evans tribute) has challenging, fractured interplay between Jarrett, Jack DeJohnette and Gary Peacock, and it directly segues into Jarrett's own obsessive "Sun Prayer," which seems to lose its way after a fine start.
Highway 61 Revisited is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965 by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing track, the 11-minute ballad "Desolation Row".
Testeaza in showroom Cotroceni
The Very Best of Diana Krall collects a nice cross-section of tracks the pianist/vocalist recorded beginning with her 1996 breakthrough album, All for You, and moving through to her 2006 effort From This Moment On. These are largely urbane and stylish recordings that range from her intimate and swinging trio work with guitarist Russell Malone and bassist Christian McBride to her lush orchestral and big-band numbers. While this is primarily a compilation for fans of the sophisticated, jazz standards-oriented Krall, Verve does earn some kudos for including at least one cut from her deeply personal and subsequently not as popular effort The Girl in the Other Room. Also featured are cuts from her stellar 2002 concert album Live in Paris. If you're a fan of straight-ahead jazz with a heavy dash of romance and haven't checked out Krall's work, The Very Best is superb place to start.
