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    Muzica ECM, Gen: Jazz

    Muzica ECM, Gen: Jazz (137 rezultate)

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    • Gen muzica: Jazz
    • Tip Album: VINIL

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    Luminessence, ECM’s new audiophile vinyl-reissue - cut from the original analog master tapes

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    • Greutate Vinil: 180g
    • Gen muzica: Jazz
    • Tip Album: VINIL

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    LP 180g

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    • Greutate Vinil: 180g
    • Gen muzica: Jazz
    • Tip Album: VINIL

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    1990 - Interpreti: Christy Doran, Fredy Studer, Bobby Burri, Olivier Magnenat

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    • Gen muzica: Jazz
    • Tip Album: VINIL

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    Noiembrie 1990 - Hal Russell NRG Ensemble = Hal Russell, Mars Williams, Brian Sandstrom, Kent Kessler, Steve Hunt

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    • Gen muzica: Jazz
    • Tip Album: VINIL

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    2017

    Mathias Eick - trompeta, voce
    Hakon Aase - vioara
    Andreas Ulvo - pian
    Audun Erlien - bas electric
    Torstein Lofthus - tobe
    Helge Andreas Norbakken - tobe, percutie

    Eick's compositions have an overall darkness about them though their sophistication and accents, the punctuation of bass and percussion, makes for a highly listenable blend of emotions, without jolting fluctuations. As with Midwest the music on Ravensburg is deeply atmospheric. [ AllAboutJazz ]

    • Numar discuri: 1
    • Greutate Vinil: 180g
    • Gen muzica: Jazz
    • Tip Album: VINIL

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    2017
    John Abercrombie - chitara
    Marc Copland - pian
    Drew Gress - contrabas
    Joey Baron - tobe

    Guitarist John Abercrombie – who has recorded as a leader for ECM since 1974 – returns with a second album by his quartet featuring Marc Copland on piano, along with longtime rhythm partners Drew Gress and Joey Baron. Extolling 39 Steps, the group’s 2013 album, the Financial Times said: “The emphasis is on subtle intrigue, flowing lyricism and the interplay between the leader’s warm, cleanly articulated guitar and Copland’s piano… with bassist Gress and drummer Baron equally supple and sinewy companions.

    • Numar discuri: 1
    • Greutate Vinil: 180g
    • Gen muzica: Jazz
    • Tip Album: VINIL

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    2016

    Tord Gustavsen - pian, electronice, sintetizator de bas
    Simin Tander - voce
    Jarle Vespestad - tobe


    This is essentially a vocal record that contains more singing than any previous Gustavsen release and it also introduces an element of electronica to what has previously been an exclusively acoustic music.

    • Numar discuri: 2
    • Greutate Vinil: 180g
    • Gen muzica: Jazz
    • Tip Album: VINIL

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    1977

    Keith Jarrett - pian
    Jan Garbarek - saxofon tenor
    Palle Danielsson - bas
    Jon Christensen - tobe

    AllMusic: "In addition to his solo piano concerts and the American group he led that featured tenor saxophonist Dewey Redman, Keith Jarrett was also busy in the mid-'70s with his European band, a quartet comprised of Jan Garbarek on tenor and soprano, bassist Palle Danielsson, and drummer Jon Christensen. Due to the popularity of the haunting "My Song," this album is the best known of the Jarrett-Garbarek collaborations and it actually is their most rewarding meeting on record. Jarrett contributed all six compositions and the results are relaxed and introspective yet full of inner tension."

    • Numar discuri: 1
    • Greutate Vinil: 180g
    • Gen muzica: Jazz
    • Tip Album: VINIL

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    2017

    He uses ‘Gnosis’ to refer to ancient collective knowledge, and this music is about the intersection of cultures—contemporary improvisational language and Cuban sources, especially the sacred Abakuá percussion ensemble. There are over a dozen instrumentalists and vocalists employed, but they are mostly broken up into various small ensembles: the concert premiere was billed as ‘futuristic Afro-Cuban chamber music.’ […] Sections with the full ensemble (often with Allison Loggins-Hull's flute in the lead) such as ‘Tierra’ and ‘Visiones Sonoras’ alternate with more vocal selections, another feature for Morgan's bass with percussion (‘Nuná’), and solo piano. In fact Virelles closes out the set on piano with two unaccompanied tracks (‘De Cuando Era Chiquita’ and ‘De Coral’). Yet the entire program maintains a consistent tone, simultaneously ancient and contemporary: a ritual for the modern world.
    Mark Sullivan, All About Jazz

    In this vivid and exciting project, the Santiago-raised and New York-based pianist-composer David Virelles looks towards one melting pot from the vantage point of another. A far-reaching work with deep cultural roots, Gnosis speaks of transculturation and traditions, and of the complex tapestry of Cuba’s music – the sacred, the secular, and the ritualistic – but the work’s shapes and forms could only have been created by a gifted contemporary player thoroughly versed in the art of the improvisers. Strings, woodwinds and percussion all have their roles to play in Gnosis, viewed by Virelles as “several families functioning within one unit: this dynamic symbolizes multicultural interaction.” Virelles’ responsive piano and the vocals and percussion of Román Díaz, a profound figure in the transmission of Afro-Cuban musical history, are at the centre of the action. Gnosis was recorded at New York’s Avatar Studios in May 2016 and produced by Manfred Eicher.

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    A new ECM studio album and a programme of new music from Terje Rypdal is cause for celebration. On Conspiracy the great Norwegian guitarist seems to reconnect with the wild inspiration that fuelled such early masterpieces as Whenever I Seem To Be Far Away, Odyssey and Waves, exploring the sonic potential of the electric guitar with both a rock improviser’s love of raw energy and a composer’s feeling for space and texture.

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    A striking album of new music from pianist/composer Carla Bley, whose trio with Andy Sheppard and Steve Swallow is now in its 25th year. Individual associations among the players go back much further: bassist Swallow first recorded music by Carla in 1961. So when Bley says “Life Goes On”, a lot of life is alluded to. The album, realized in the Auditorio Stelio Molo Studio in Lugano in May 2019, with Manfred Eicher producing, takes the form of three suites. The title piece begins as a stoical blues, at first melancholic then hopeful. “Beautiful Telephones”, inspired by a US president’s first observation on entering the Oval Office, has plenty of Bley’s dark wit. And “Copycat” explores the notion of call-and-response in fresh ways as the improvisers continue each other’s thoughts. Throughout, Carla’s distinctive piano, with its hints of Monk and Satie, is beautifully framed by Swallow’s eloquent, elegant bass guitar and Sheppard’s yearning saxes. This trio has a unique collective sound, reflecting – as The Telegraph recently noted – “musical mastery of a rare order”.

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    Even for ECM, this is an album of radical gentleness. Oded Tzur is a New York-based, Israel-born tenor saxophonist making his debut on the label. He’s studied with bansuri master Hariprasad Chaurasia and perhaps raga concepts influenced the music here. Tzur is quite an original player/composer, with few obvious influences in the jazz canon. […] Hershkovits and Tzur are clearly simpatico and the pianist is out front on the disc as much as the saxophonist. Klampanis and American drummer Johnathan Blake are charged with listening carefully, lest the spell be broken. It never is.
    Jim Motavalli, New York City Jazz Record

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